know
I have learned to love the intellectual pursuit of a script, a song, a movement, or a performance before I become mired in the technology and technique. I start here, return here, and linger here as long as possible. How can I hope to effectively light a scene if I don\\\'t first understand why the scene exists?
Check out the downloads below for examples of my analysis of Pearl Cleague\\\'s A Song for Coretta, which I designed in 2009 with the St. Louis Black Repertory.
